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| Name | Vertigo, Hitchcock & the Spiral — Vertigo Film Analysis and the Perfect Symbol for Obsession |
| Video Uploader | Video From StudioBinder |
| Upload Date | This Video Uploaded At 23-08-2021 07:00:03 |
| Video Discription | Our Vertigo analysis looks at the spiral motif in Hitchcock’s haunting tale of obsession. Vertigo Movie Explained ►► https://bit.ly/sp-vt StudioBinder Screenwriting Software ►► http://bit.ly/sb-sw CHAPTERS: 00:00 Intro — The Spiral Motifs in Vertigo 01:33 Vertigo Explained (Story Recap) 03:08 Spirals in the Title Sequence 03:26 Spirals in the Score 04:19 Spirals in Production Design 08:08 Spiral Story Structure 12:01 Motifs in Movies Exercise — American Beauty There are a few motifs in Vertigo (1958) but none are more dominant or meaningful than the spiral. From the higher-level themes like life/death/rebirth and obsession down to the details like hairstyling and props, the spiral is everywhere in Hitchcock’s Vertigo film. In this Vertigo analysis, we’ll identify and break down all the ways the spiral becomes both a visual motif and a thematic motif. Scottie (James Stewart) is a retired detective who suffers from vertigo after a traumatic accident. Then an old friend tasks him with following his wife, Madeleine — who he believes is possessed with the spirit of a dead woman. Scottie’s investigation leads him into a mystery built upon deceit and obsession. And the perfect symbol for this journey is the spiral. So, how exactly does the spiral become not only one of the dominant motifs in Vertigo but perhaps the crown jewel of all Hitchcock motifs? Let’s start at the beginning — before we see anything, we hear Bernard Hermann’s magnificent score. It is a strange pattern of notes consisting of two scales (one rising and one falling) played simultaneously. Then we see the opening credit sequence, designed by the inimitable Saul Bass, which is a hypnotic and abstract collection of literal spiral patterns furthering our disorientation. But the spiral motifs in Vertigo don’t end there. We find the spiral twist hairstyle in both Madeleine and the portrait of Carlotta Valdez. The redwood stump is the perfect spiral metaphor, as Madeleine describes her past life — “Here I was born, and here I died.” The design of the belltower staircase is yet another spiral we return to repeatedly. And finally, the structure of the film itself is a spiral as the second half repeats locations, scenes, and actions from the first half. There are many reasons to fall in love with Hitchcock’s Vertigo and perhaps his use of the spiral motif is what lures us in and keeps us returning again...and again...and again. #FilmTheory #VideoEssay #Filmmaking _________________________________ ♬ SONGS USED: "Prelude and Rooftop" - Bernard Herrmann "The Bay" - Bernard Herrmann "Carlotta's Portrait" - Bernard Herrmann "The Dream" - Bernard Herrmann "The Streets" - Bernard Herrmann "The Forest" - Bernard Herrmann "By the Fireside" - Bernard Herrmann "Scene D'Amour" - Bernard Herrmann "The Nightmare and Dawn" - Bernard Herrmann "The Past and the Girl" - Bernard Herrmann "The Necklace, The Return and Finale" - Bernard Herrmann "Somewhere" - Daniele Musto "Dead Already" - Thomas Newman "Lunch with the King" - Thomas Newman "Midnight Daydream" - Cinerama Music by Artlist ► https://utm.io/umJx Music by Artgrid ► https://utm.io/umJy Music by Soundstripe ► http://bit.ly/2IXwomF Music by MusicBed ► http://bit.ly/2Fnz9Zq — SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0 Looking for a project management platform for your filmmaking? StudioBinder is an intuitive project management solution for video creatives; create shooting schedules, breakdowns, production calendars, shot lists, storyboards, call sheets and more. Try StudioBinder for FREE today: https://studiobinder.com/pricing — Join us on Social Media! — Instagram ►► https://www.instagram.com/studiobinder Facebook ►► https://www.facebook.com/studiobinderapp Twitter ►► https://www.twitter.com/studiobinder #film-theory, #video-essay, #filmmaker |
| Category | Film & Animation |
| Tags | Vertigo | vertigo movie | vertigo hitchcock | vertigo analysis | hitchcock vertigo | hitchcock analysis | alfred hitchcock analysis | vertigo film analysis | vertigo scene analysis | hitchcock video essay | vertigo video essay | film theory | video essay | vertigo explained | vertigo film | vertigo 1958 | collative learning | jacks movie reviews vertigo | film making | film analysis | directing | motifs | film motifs | motifs in film | motifs in vertigo | hitchcock motifs | motifs in movies |
